ZiggyZipgun wrote: Mon Jul 05, 2021 12:39 pm
I experience a similar queasiness when anyone suggests that, since I like Pink Floyd, I'll love Rush.
Not really found anything to get me into Grateful Dead either, but I'm a big Rush fan. That said, both bands are pretty dissimilar - only the middle section of the
All The World's a Stage version of "By-Tor and the Snow Dog" (very much 1968-1970 type of Floyd sounding) and the guitar solo in "Marathon" really remind me of Floyd. So while both bands are about equal in my estimation, I wouldn't make the suggestion you mentioned.
theaussiefloydian wrote: Wed Jul 07, 2021 3:09 am
I find that Yes is best listened to in small doses. You're absolutely that they're obviously very talented musicians, but I've only ever been able to get through an album of theirs once (I think it was Fragile), and in general if I'm going to listen to Yes it's probably just going to be "Roundabout" or "Heart of the Sunrise" (or "Owner of a Lonely Heart").
To the contrary, I find
Close to the Edge one of the quintessential prog albums (
Fragile and
Relayer not too far behind). That said,
Tales from Topographic Oceans is definitely unswallowable from my perspective.
Kerry King wrote: Wed Jul 07, 2021 10:04 pm
And Bernie Taupin is a much better example of a lyricist who is less gifted with words than Gilmour. Of course, in his defense, it was Bernie's job to keep the lyrical content safe and mediocre. Radio-friendly.
Wut?
https://www.songtexte.com/songtext/elto ... 63b4c.html
mosespa wrote: Tue Jul 06, 2021 6:48 am
I felt that TDB was a step in the right direction for a Waters-less Floyd, though "High Hopes" deeply made me wish they had SOMEONE who would've told them "that's crap and you're ripping off Alan Parsons; toss it and let's do something else."
Interestingly enough, my mother was the one who first noticed the Alan Parsons Project rip-off. I subsequently came up with a few more.
That said, "High Hopes" usually gets name-checked as the best Pink Floyd after
The Wall, so...
