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Roger Waters In The Flesh DVD Review By Andrew Beale

Roger Waters: In The Flesh DVD Front Cover

“Returning from a 12-year long hiatus from the road, Roger Waters’ In The Flesh concert tours were a showcase of his best known work from his days with Pink Floyd to his recently released solo album Amused to Death. The In the Flesh tour was a massive, worldwide undertaking by Waters that spanned three individual tours over the course of three years (1999, 2000, and 2002). The title is an allusion to the 1977 Pink Floyd tour for the Animals album, as well as the two songs so titled on the album The Wall.” – Wikipedia


Roger is sounding great. His voice sounds a lot better in my opinion than it did during the Wall shows. The tones are always perfect, and sound effects are cued in at exactly the right time (unlike during his current tour when the sound manager tends to fall asleep). Roger uses a surround sound system at his concert so sound comes at you in every direction, and he brings this into your living room or mantown with Dolby 5.1. His crew includes the usual talented musicians who usually play with Roger and Pink Floyd, Andy Fairweather-Low, Snowy White, Jon Carin, and Graham Broad. He is also working with Doyle Bramhall II on guitars, Andy Wallace on Hammond, and PP Arnold and Katie Kissoon and Susannah Melvoin doing backup singing. Doyle Bramhall II is a great guitarist through all of his criticism by many Pink Floyd fans, mainly because they compare him to David Gilmour. Sound is perfect, ten out of ten.
// 10


01. In The Flesh – The DVD Starts out with a little behind the scenes look at the performers chilling before the show starts. After this little segment is over there is a fade out and you start to hear the crowd going wild. A cool graphic comes up and reads “Roger Waters In The Flesh”. The song is performed particularly well, and at once you can tell that Roger is relying heavily on female vocalists. The crowd is either full of fans or somebody started doing it and everyone followed along, but everyone formed an X with their hands (If only they did that at the 2006 concerts). Graphics of the marching hammers are shown in the background. At this point the show is off to a very good start.

02. The Happiest Days Of Our Lives – After In The Flesh ends, You hear a crying baby like at the end of In the Flesh?, then the helicopter. Roger uses his delay pedal during this one, while on most occasions he doesn’t. There isn’t much to rave about this song, its definitely one of the most overplayed of the Pink Floyd songs so its very familiar to anyone when they listen to it. Images of the teacher and his psychopathic wife are shown.

03. Another Brick In The Wall (Part 2) – As most people already know, Another Brick comes in. The performance of this is very good. Roger sings the first verse, the ladies and the crowd take care of the second. Doyle plays a solo, followed by Snowy. Then they sing the verses another time which surprised me. I never heard a concert before this when they repeated the verses a total of three times. That surprise got me hooked in to hear any other surprises the concert may bring.

04. Mother – Roger thanks everyone for coming and comes out with his acoustic guitar. He starts playing Mother. This performance is ace! Roger plays the acoustic beautifully, and Katie Kissoon sang the chorus amazingly. When Roger sings “Mother should I trust the government?” the makes a little face, either meaning he didn’t like the government or that the fans applauding of the line made him angry because they didn’t understand the meaning. Great version that got great applause.

05. Get Your Filthy Hands Off My Desert – There is a sound of an explosion and many colored lights strobe. There are many fans who don’t like the Final Cut, but I do and was glad that he added some songs from it to the set list.

06. Southampton Dock – Another good performance of a song from The Final Cut.

07. Pigs On The Wing (Part 1) – This is where I got excited. He was going to play a song from Animals, my favorite Pink Floyd album at the time. This acoustic performance played by Roger led to my favorite song off of Animals, Dogs.

08. Dogs – Jon Carin plays the acoustic and sings vocals. Doyle Bramhall plays great solos, very different than Gilmour’s on the album which is a good thing in my opinion. Roger looks like he is having a great time on stage. During the keyboard solo the guys gather around the table and play hearts, while the ladies sit and have a drink. It is just Jon and Graham playing during this. After the solo is over Roger comes and starts singing “Gotta admit…” which is my favorite part of the song. Overall this was a wonderful performance of a very underrated song.

09. Welcome To The Machine – I love this version of Welcome to the Machine. Andy Fairweather-Low plays the bass and it seems like he rewrote the bass line because it is very different to the album version, a lot better that is (I want a tab! Anyone?).

10. Wish You Were Here – I hate to admit it but Wish You Were Here was the biggest disappointment on the whole entire DVD. Doyle plays the intro on his electric, a very bad move, especially with that horrible reverb. Snowy’s intro solo is very good, and the chorus is pretty good. Then it comes to the horrible chorus. He changed it to “Ohhhhh…how I wish you were here” and “And I wish that you were here”. I usually pass this one by while I am watching. If I wanted to listen to a good version of Wish You Were here I would put in PULSE.

11. Shine On You Crazy Diamond (Parts 1-8) – Great performance. I love the extended version instead of the 1-5 break 6-9 stuff. I love it all together. At the end he dedicates those last two songs played to Syd.

12. Set The Controls For The Heart Of The Sun – I never really paid much attention to this song when I listen to my Pink Floyd stuff but now I have a whole new liking for it. Snowy plays an incredible solo, and the sax player plays beautifully. This song is also a song which that really induces the pot use at the concerts.

13. Breathe In The Air – The heartbeat sounds and in comes Breathe. Jon Carin plays the lap-steel intro. Doyle is singing during the Darks Side songs and his nasally voice will drive some people insane, but it isn’t that bad once you get used to it. The song was performed very well.

14. Time – The chiming sounds start up and Roger starts making his tick-tock noise with his bass. Andy plays the bass during the verses and Roger plays the chorus. This is where we start to see Doyle showing off. He makes many various facial expressions, kinda like he is having a hernia. At least the guitar solo was good. Breathe reprise kicked in and Roger played a cool variation of bass line. It has been a very good performance of the Dark Side masterpieces thus far.

15. Money – Money is great on this DVD. Doyle Bramhall is singing yet again. Andy Fairweather-Low plays an interesting solo, and the camera shows a guy who really digs it and points at Andy constantly. Another good performance.

16. Pros & Cons Of Hitch Hiking Part 11 (a.k.a. 5:06 AM-Every Strangers Eyes) – I have always been a fan of Roger’s solo work. This is one of his best. Andy plays the lead guitar. Very powerful song.

17. Perfect Sense (Parts 1 & 2) – This is my favorite of Roger’s solo material. It starts off with the “Stop Dave”s and Jon Carin’s beautiful piano intro. Roger isn’t playing in instrument during this one, just standing and acting out to the lyrics he sings. PP Arnold yet again blasts out a tremendous vocal solo. Part two starts, and we get the commentary yet again. The crowd goes wild when Roger walks around and sings with the audience. This is one of the greatest moments on the DVD

18. The Bravery Of Being Out Of Range – Another great solo song of Roger’s, and he is playing a red strat. I love the message this song gives. All those high ranking government officials sitting all safe while all the people under them are at war and dying.

19. It’s A Miracle – Jon Carin comes in with another piano intro. The crowd is swaying back and forth to the beautiful sound of the keys. Roger yet again isn’t brandishing an instrument. A great song performed perfectly. I particularly like the little guitar solo at the end.

20. Amused To Death – The song that the album was named after. It begins with Roger shining a flashlight into the audience, adding an interesting effect. Roger picks up his bass again and starts playing the song. It is played perfectly. Roger is very emotional during this song I have noticed. He is especially emotional when the man is talking in the background.

21. Brain Damage – I knew this song was coming. There never can be a concert without it. Andy is playing the lead guitar. Am I the only one to notice this, or does Roger throw his hands in the air and the bass can still be heard. It is probably just one of the keyboards. Besides that it is a very good rendition of the song.

22. Eclipse – The song played just as good as Brain Damage. A perfect song to close an album or even a concert for that matter. However this isn’t the end of the concert, we all know what’s next.

23. Comfortably Numb – Roger is surprisingly not playing bass on this, but a guitar. It got me hoping he might do a solo. This song is performed pretty well. My only beef (and mostly everyone else’s) is the ending guitar solo. They are performed pretty well, but it isn’t fluid. They switch from the strat to the Les Paul and the immense tone difference makes the solo very choppy. They should have at least made the tones similar so it sounded like one guitar.

24. Each Small Candle – Roger introduces us to his new solo song. It is a little boring. It is very quiet, with the instruments turned pretty far down. The lyrics are creative however. Andy has a cool electric-acoustic guitar solo. At the end of the song Roger holds out his cigarette lighter and shows everyone the flickering flame. The concert was then over, they showed the band members in a little picture credits segment. Then they showed the band bowing and leaving the stage, leading into another set of credits.
I love the set list. It includes many songs from underrated Pink Floyd albums such as Animals and The Final Cut. The only cons in my opinion are that there could have been more solo songs and that there should have been way more bonus features then were available (a documentary on the tours preparation, a gallery of images, and band bios). When I buy a DVD I expect enough features to keep me occupied for a while after I watch the concert a few times. Those cons and the Comfortably Numb and Wish You Were Here disappointments are enough to make me push the rating down to eight.
// 8

Production Quality:

The DVD was recorded perfectly. The camera is on the right person at the right time, and shows everyone numerous times. The sound is perfect, it sounds like you are actually there. The solos, effects, and vocals were on the most part very good. The menus are easy to navigate. Only bad thing here is the unnecessary opening series of images, including a pic of a backstage pass.
// 9


The most impressive thing about this DVD is the beautiful sound quality, which makes it sound like you are really there. I love Rogers’ energy on the stage; he always gets into his music and releases that energy into the audience. That’s what makes a Waters concert great and worth seeing! As I mentioned before what I don’t like about the DVD is that there aren’t that many features and I would have liked more Waters solo material in the setlist. Overall this is a great DVD and is definitely worth buying.
// 9

Overall Score // 9

Crazy Diamond: Syd Barrett & The Pink Floyd Story By Keith Jordan

Crazy Diamond: Syd Barrett & The Pink Floyd Story
Crazy Diamond: Syd Barrett & The Pink Floyd Story

Title: Crazy Diamond: Syd Barrett & the Dawn of Pink Floyd
Authors: Mike Watkinson and Pete Anderson
Publisher: Omnibus Press
Edition: 2nd
Published: August 2006
Pages: 192 (Paperback)
ISBN: 1.84609.739.8

Rating: 5/5

Laughing Syd Barrett, he of the gypsy eyes, bewitching smile and ghost-like beauty, was Long Gone…

The life of the misunderstood and much harassed Roger Keith (Syd) Barrett was a remarkable journey that would touch more people around the world than Roger first imagined or was prepared for. Although he wanted to be a pop star, and would rehearse with an ever increasing amount of people in his parents living room at 183 Hills Road in Cambridgeshire, he should probably have stuck to painting as his mind may not have then disintegrated as severely and as quickly as it did.

The Crazy Diamond book, first published in 1991 and now re-published in August 2006, draws on extensive exclusive interviews with Barrett’s family and the people who grew up around Syd. This has enabled the authors of the biography Mike Watkinson and Pete Anderson to give accurate and insightful details of the key events in Barrett’s life from his birth right up to his death in the new revised edition. The book also includes several rare photos of Syd from when he was a child of 4, in the Scouts camping, on holiday with girlfriend Libby Gausden and photos from his later life.

The book is a well written account of Barrett’s life and is a gripping read from beginning to end. Barrett died as a “retired musician” according to his death certificate. He did, however, spend much time working on his artwork. Unfortunately, the latter part of his life is not public knowledge and, indeed, he didn’t do much besides exist as a quiet and peaceful man around St Margaret’s Road in the University Town of Cambridge. As such, the book covers quite a few years of his life in not so much detail towards then end. The actual final days of his life are well documented though as the authors were able to speak to his family to obtain the precise details.

Reading the life story of Syd Barrett takes you on an amusing, revealing, frustrating and sometimes upsetting journey: especially at the end. Starting off in Syd’s home town of Cambridge in England we are introduced to Syd and his family: an environment in which he is allowed to flourish and blossom into an attractive flower. Rosemary, his younger sister, recalled her brother conducting an invisible orchestra from under the covers of his bed at age 4. He would go on to conduct audiences the world over with his unique and innovative style of introspective and simple music.

The tributes after his death many years after his magnesium bright success with the band he formed, Pink Floyd, were reflective of his genius and brilliance. Crazy Diamond: Syd Barrett & The Dawn of Pink Floyd is a wonderful book which really transports you into Syd’s journey in a thoughtful, moving and respectful way: dispelling many of the News Of The World style myths about the burnt out star. If you are a fan of the early Floyd, music, life, brilliance, then get yourself a copy of this great book.

The authors were kind enough to share part of the final chapter of the new book which features 1/3 again of the words contained within the original 1991 release. Also has sections re-written and updated. Grab a copy from MusicRoom.com.
Book Excerpt

Photographs of Syd on his habitual shopping rounds at this time show him looking shockingly gaunt, and for several months leading up to his 60th birthday Rosemary noted with some concern his falling weight. For years Barrett had been plagued by gastric ulcers and was therefore familiar with their unpleasant symptoms including stomach pains, digestive problems and poor appetite. His elder brother Alan – whose sax-playing in a skiffle group first persuaded Syd to take up the ukulele at the age of 12 – believes this long-term, but non life-threatening malaise might have masked the onset of the pancreatic cancer which was to prove terminal with shocking swiftness.

The ailing Barrett, also beset with complications from his long-term diabetes, was eventually admitted to Cambridge’s Addenbrooke’s Hospital at the end of May. Once this particularly virulent form of cancer was diagnosed, the patient’s survival was predicted to be a matter of weeks rather than months. According to Alan, as Syd lay dying in a bed not too far from the room which still bears the name of their beloved father, he seemed quietly accepting of his fate.

Others less sanguine might have reflected bitterly on how history was cruelly repeating itself. Forty-five years after cancer claimed the life of Dr Arthur Barrett at the same hospital, the son with whom he had always enjoyed such a special rapport was now stricken with the same fatal disease. Increasingly sedated during those final weeks at Addenbrooke’s, Syd might have been reminded of those dreadful memories as 1961 drew to a close, culminating in the untimely death of a devoted family man who still had so much to offer the world of medicine.

“Of course Roger was sedated, but he never seemed in any great pain; he remained calm and in good spirits,” says Alan Barrett. “He had been losing weight for a long time and the pain he suffered from his ulcers was not unfamiliar. I suppose it’s possible this might have delayed the ultimate diagnosis, but we can take comfort from the fact he was not in any great pain and didn’t seem to suffer too much.”

The stay in hospital was the longest Syd had been away from St Margaret’s Square since his brief return to Chelsea Cloisters in 1982 when he seems to have taken the decision that increasingly frenetic London life was no longer for him and impulsively decided to walk 50 miles home to his mother. For a man so used to everyday domestic routines such as gardening, cleaning and sporadic visits to the local shops, hospital life must have been seemed quite alien and somewhat disorientating.

As Barrett’s strength faded and the dosage of the drugs he was taking increased, he nevertheless expressed a determination to go back to the humdrum, suburban house which had been his home for the past quarter of a century. As doctors could do no more, the hospital eventually granted his wish and on Tuesday, July 4th, the gravely ill man returned to St Margaret’s Square where professional carers proceeded to give him 24-hour nursing care for what little time was left. Apart from Rosemary, these medics were perhaps among only a handful of people to have crossed the threshold of the Barrett home since Syd became its sole occupant after his mother moved out to live with her youngest daughter in the late 1980s.

“How did Roger react to his final illness? That’s a difficult question to answer because it was very hard to know how he felt about anything,” Paul Breen told the authors. “You must remember that I never knew him as a young man. I only came to know him in mid-life and it was always very hard to gauge his feelings. What was readily obvious was that he wanted to go home and as soon as it was possible for us to arrange it that’s what we were able to do.”

“We all knew he was coming home to end his life. When he left Addenbrooke’s I probably would have given him a week; in the event it was a lot quicker than any of us expected – and probably kinder. It was only on his third day back that the end finally came.”

Extremely drowsy, drifting in and out of sleep and under heavy sedation, Syd remained in a stable condition until the evening of Friday, July 7th when his condition suddenly deteriorated markedly. Alan Barrett speculates that his brother’s heart might have been weakened by his general ill-health and it does not take a medical expert to work out that Syd’s system had been seriously depleted by his assorted ailments. On that fateful Friday evening, following the type of blisteringly hot day that the teenage Barrett might have spent picnicking on the banks of the Cam, the Madcap simply drifted off into a sleep which stretched into eternity. The carer who was with him was taken by surprise. There may not have been sufficient time to summon the Barrett family to his deathbed, but compared with the demise of so many of Syd’s contemporaries from the psychedelic 60s, it was an exceedingly peaceful and dignified end. The death certificate gave Barrett’s occupation as ‘retired musician’.

“He had seemed very content with his life during the last few years,” reflects Breen, who since the early 80s, has grown used to fielding endless press enquiries about his brother-in-law. “He just did what he wanted to do, whether it was painting or doing DIY to what I would term an interesting standard. He didn’t seek conversation with anyone; just seemed content to potter about in his garden. He showed no interest in his old life. For instance, he knew the Live 8 concert was happening, but didn’t get to watch it because he didn’t have a television. The type of life he chose worked for him – I suspect the notion of not working for the last 40 years of your life would seem quite attractive to a lot of people!”

Fittingly for someone who spent so much of his life shrouded in mystery, Barrett’s final illness and death were initially kept secret from all but his immediate family. His fans were therefore totally unprepared for the events of Tuesday, July 11, 2006 when a strong rumour began spreading that Barrett had passed away four days earlier. Although the Pink Floyd office initially denied the reports – it was, after all, not the first time Syd’s demise had been rumoured – by the early afternoon Alan Barrett was confirming the death of the band’s lost leader. Screaming headlines announcing the death of Pink Floyd’s founder quickly appeared on 24-hour television news channels alongside the latest atrocity in the Middle East.

“He died peacefully at home,” said Barrett in a short statement. “There will be a private family funeral in the next few days. Now we just wish to be left alone.” Within an hour of the announcement, bouquets of flowers had been tied to the little wicker fence fronting Syd’s semi which the DIY-loving owner had knocked together himself (to replace the one destroyed shortly after his mother’s death).

“The band are naturally very upset and sad to learn of Syd Barrett’s death,” said the surviving members of Pink Floyd in a statement. “Syd was the guiding light of the early band line-up and leaves a legacy which continues to inspire.”

Waters, in the middle of a tour in which a ghostly image of Barrett was beamed on stage during the performance of ‘Shine On You Crazy Diamond’ said: “It’s very sad. Syd was a lovely guy and a unique talent. He leaves behind a body of work that is both touching and very deep, and which will shine on forever.”

“Everyone has been extremely respectful and we’ve found that very gratifying,” said Paul Breen. “The death notices Roger received in the newspapers were kind and compassionate. We find it quite amazing that someone whose career was so brief should have had such an effect on so many people.”

Fearing Syd’s death might be turned into a media circus, the Floyd stayed away although Alan Barrett says Dave Gilmour sent flowers to the funeral. Over the years, Gilmour’s benevolence towards the man he replaced in Pink Floyd has never been fully acknowledged, but Breen confirms his former bandmate was constantly in Gilmour’s thoughts and he kept in regular touch with Rosemary.

“He’d ring us a couple of times a year just to check on how things were going,” he says. “Unfortunately I’ve never met him – we were invited to his 50th birthday but couldn’t make it – but he’s the one who’s stayed closest over the years. It’s ironic really, if what happened to Roger hadn’t done so, Dave Gilmour’s life wouldn’t have turned out like it has.”
Gilmour’s paternal interest in his old friend is something he has rarely acknowledged, yet as far back as 1985 he quizzed the authors on the state of Barrett’s finances. On learning that Syd had not received a royalties cheque for quite some time, Gilmour made some comment to the effect that he would immediately make enquiries of his own. A few weeks later, Rosemary confirmed that a cheque had indeed arrived. There still remains a widespread belief that Syd was abandoned by the Floyd, yet this is patently not the case.
Famously, Syd’s family took little or no interest in his former existence. The type of professional people whose musical interests were, and continue to be, mainly classical, they never followed popular music and over the years repeatedly expressed incredulity at the extent of his fame. Syd’s brothers and sisters genuinely cannot understand how such a brief career made such a lasting impact or the fanatical following his short body of work continues to attract.

“It constantly surprises us,” Alan told the authors shortly after Syd’s funeral. “Being approached by people asking about the old days was something that didn’t appeal to Roger, but he adapted himself to it. We were all impressed and extremely grateful by the extent of the appreciations expressed following his death. Until then, I do not think of think any of us fully appreciated just what he meant to countless people across the world.”

“Goodbye Syd – we will never forget you” was the poignant tribute paid by the former musician’s neighbours in St Margaret’s Square and pinned on one of three wreaths laid in Barrett’s memory at his funeral at Cambridge Crematorium ten days after his death.
Only 16 members of the Barrett family and a few close friends attended the private service and cremation, the congregation barely half-filling the tiny chapel. As Roger and the Barrett family had wanted, it was a quiet and understated event.

There were no hordes of tearful fans, no police presence to keep the peace, even the national media stayed away with only the local Cambridge Evening News carrying a short article the following day. A sole photographer was spotted lurking among the bushes probably in the hope of snatching a famous face.

But the ex-members of Pink Floyd did not attend and, indeed, were not invited. No Barrett or Pink Floyd tunes were even aired to send the Piper on his way.

One detail which did emerge is that Roger had no religious beliefs – the ceremony being conducted by David Pack of the British Humanist Association whose website claims to represent “the interests of the large and growing population of ethically concerned but non-religious people in the UK.”

Roger’s nephew Ian Barrett later commented on a website: “There was no need to bring God in when he had never made his presence felt before. I was hoping we’d get one of Roger’s songs but I think it could have been a bit too raw for some of the family.

“It was a strange contrast to the energy and flowery prose thrown around in the press the previous week. While it was moving and fitting that the music press had gone overboard with praise – it seemed a world away from the reality of the event the few of us were part of.”

On the front of the simple Order of Service was written: “Roger Keith Barrett, 1946–2006 – A Celebration Of A Creative Life, July 17, 2006”.

Inside it carried an illustration and short extract from the children’s fairytale classic The Little Grey Men by BB, better known as the natural history book illustrator Denys Watkins-Pitchford, a tale often cited as a “story for the young at heart”.

The book, first published in 1942, tells the story of the last four gnomes living in Britain by a Warwickshire brook. When one of them decides to go and explore and doesn’t return, it’s up to the remaining three to build a boat and set out to find him.

The extract reads: “The wonder of the world, the beauty and the power, the shapes of things, their colours lights and shades; these I saw. Look ye also while life lasts.”
As the mourners entered the crematorium, Roger’s niece, Melly Barrett played Haydn’s Andante from Sonata No. 40 in E major on the organ while the end of the service was marked by a rendition of Handel’s Courante from Suite No. IV in E minor.

Roger’s sister Rosemary and another niece, Alan Barrett’s daughter Ginny Swepson, paid tribute to the life of their famous, extraordinary and much-loved relative.

Alan Barrett continued with a reading from The Little Grey Men, one of Roger’s favourite books, before a final selection of his classical favourites, Bach’s Allemande from Partita No. IV in D major, during a short time of reflection and finally the committal.

The unwitting object of such abundant rumour, intrigue and speculation over the preceding three decades, a shy and reclusive prematurely-aged bachelor had finally been laid to rest.
Laughing Syd Barrett, he of the gypsy eyes, bewitching smile and ghost-like beauty, was Long Gone…

© 2006 Omnibus Press. Unauthorised reproduction prohibited. Used with permission from authors.