I have to admit that I am very exited about this release. One thing that post-Waters Floyd always had going for it is the sound. AMLOR and TDB are non-conceptual albums and that feels like an evolutionary regression, but I still love the instrumentals and instrumental passages of songs on those records.
When I heard that there was only one song on the new record, I was hoping that
The Endless River would be something unique in the band's catalog - a single-track album, an hour-long song that is instrumental all the way to the end (or close to the end) with a little bit of lyric (after all, David
can sing, and that should not be wasted) to provide meaning and context for it all. Think of
Echoes,
Shine On, or
Dogs that run for a full hour / length of an album. Of course, that would be difficult to release on vinyl, but not an issue for other formats.
I was thinking about this yesterday after that sensory overload with the reveal of the new album, and I had a strange Pink Floyd dream last night (my very first). In it, I was holding in my hand the last three Pink Floyd albums (AMLOR, TDB and TER), all three as DualDiscs (those CD on one side, DVD on the other things - very strange, because I never owned one). All three were single-song, almost completely instrumental and circa an hour-long albums, AMLOR with a little bit of lyrics mixed in here and there (New Machine 1 and 2 was there, but different words), and TDB instrumental until the High Hopes finish (with that long, extended and evolved 09:10 version with acoustic guitar ending, from David's live DVD). DVD backside sides of AMLOR and TDB had a hour-long Storm video interpretation of the whole thing, AMLOR with that dude who rows the boat on "Sings of Life"
I wondered this morning how such three single-song hour-long albums would have gone down commercially and with the fans, and decided to share.