1. In my view, there are some eighties-styled pop songs - One Slip and Learning To Fly. A decent touch of eighties in some other songs, but I don't think this is the main problem. The fact is that some of the songs on it are really weak: A New Machine, Dogs Of War, and that the album is somewhat more commercial than the seventies albums and therefore a "musical compromise", unlike most of the best Floyd songs. Compare AMLOR to Final Cut or KAOS to Pros And Cons and you probably know what I mean.mosespa wrote:1. First...most of the complaints I have seen about AMLOR center around it sounding like "typical 80's pop crap." While I agree that AMLOR is an inferior album, it has nothing to do with the '80's sound.
2. Next...The Divison Bell, most agree, is somewhat better than AMLOR. But, there are some who opine that it sounds a bit "nineties-ish," rather than recapturing the "classic" seventies Floyd sound.
3. Now...as to the "contemporary" sound of the last two studio albums, think of it this way. Times have changed, tastes have changed. If Pink Floyd (whoever may comprise the band) wishes to continue selling copies of it's back catalogue, it has to continue to give the teenyboppers a reason to be interested. This is why new albums are made with "contemporary" sounds. So that "the kids" will be interested in picking up the new album (since it's the only one record companies will be interested in promoting heavily) and hopefully be convinced to check out the back catalogue.
2. Division Bell has stronger material and is a partial return to the original mysterious chemistry of the band. So I like it better. The ninetieish argument I don't understand, for it does not sound like 1990-1995 pop or like Nirvana and such bands, it does not have such arrangements (save Take It Back).
3. This is true, however I would expect them to keep the cult status and don't destroy the good name of the band. I think the right way lies somewhere between Amused to Death and Division Bell.