mastaflatch wrote:"Hating the album for what you haven't heard from it yet".
No, it's disliking the audio which has already been released as a teaser.
kjek1 wrote:Sorry to embarrass you, but how could we defend it when we haven't heard it? Think that's partly the problem here, you and one or two others are practically wet at the sight of a negative review, you seem to take any negative review as gospel, flathead proclaiming them "brutally honest", how the hell does he know if they're honest at all?! and all this over an album none of us have heard yet.
Though to be fair to some of you, you wasted no time being critical of just about every aspect of the tracks released so far. I don't know what Gilmour's doing messing around with Phil Taylor and his pro sound engineers when he could have hired flathead to tell him what rig he should be using and what he should be playing
Away and listen to Radio KAOS and give us all peace.
Am I "practically wet at the sight of a negative review"?
I'm just reminding people of the criticism which Mason and Gilmour have expressed themselves.
Would you call that "any negative review"?
And I guess the reviewers already have heard the album.
I am critical about the audio which has been released so far as teasers.
Teasers are meant to get people excited about an upcoming release.
Well, sorry for being such a terribly evil, bad, naughty person for not really liking those teasers.
'Radio KAOS'? I've heard parts of that Waters album when it was new, considering buying it.
But the album didn't get me really excited and I bought an old Pink Floyd album instead.
And I did buy Gilmour Floyd's album 'A Momentary Lapse of Reason', at the time.
So, the truth is much more balanced than how you try to make it appear.
People who would know me, would advice me to listen to Syd Barrett's work.
That's the chapter of Pink Floyd's history which I like the most.
I find the extended 'Tonight Let's All Make Love'-version of 'Interstellar Overdrive'
and, from the same session, 'Nick's Boogie' much, much better
than any of the teasers I've heard of 'The Endless River'.
Gilmour admired Barrett's talent in composing melodies out of nowhere.
And listen, how inspired Wright sounds during those sessions.