This Could Work...
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Re: This Could Work...
And ab7add9 isn't predictible?
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- Lord!!
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Re: This Could Work...
I just changed it.
Ab minor MAJOR seven Add 9 isn't that common.
Ab minor MAJOR seven Add 9 isn't that common.
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Re: This Could Work...
Its not that common, but it's also not too dissimilar from a G major sus4 with a diminished 2/9. *shrug*
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Re: This Could Work...
The main difference is that the chord I mentioned has an Eb and the chord you mentioned has a D. Also, the order of the notes is completely different.
Generally speaking, having a root and flat 2 right next to each other sounds extremely dissonant.
Generally speaking, having a root and flat 2 right next to each other sounds extremely dissonant.
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Re: This Could Work...
But dissonance is less predictable than consonance, right?
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Re: This Could Work...
Obviously. A mix of dissonance and consonance is what makes for interesting music.
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Re: This Could Work...
Well...that's a matter of opinion. But I take your point.
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Re: This Could Work...
Most of the "musicians" heard on the radio these days just play power chords anyway. If you asked them anything about a diminished 7 chord they would ask where the frets positions were instead of asking what the notes were. Ridiculous.
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Re: This Could Work...
Indeed.
Most major/minor 7ths, augmented 5ths, et. al. in today's more popular musics tend to be provided after the fact by producers and not the songwriters themselves, I feel.
Most major/minor 7ths, augmented 5ths, et. al. in today's more popular musics tend to be provided after the fact by producers and not the songwriters themselves, I feel.
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Re: This Could Work...
I think I'll go and read Hawkings 'Brief History Of Time' again as it seems quite straightforward compared to all of this.
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Re: This Could Work...
I watching the documentary last night for DSM...
Roger made one remark I agree with:
"It was all fired by EMOTION.there's nothing plastic on there (DSM).it's all real"
That has always driven me.
Not the technical aspect,although that helps,adds colours to what you can paint,but just learning what makes what emotion happen.
I don't think too much of main stream music is exactly interested in that quality.
Nigel
Roger made one remark I agree with:
"It was all fired by EMOTION.there's nothing plastic on there (DSM).it's all real"
That has always driven me.
Not the technical aspect,although that helps,adds colours to what you can paint,but just learning what makes what emotion happen.
I don't think too much of main stream music is exactly interested in that quality.
Nigel
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Re: This Could Work...
I, personally, am not of the opinion that "good music" REQUIRES such complexities as maj/min 7ths, augmented/diminished chords, flatted 9ths, etc. etc. etc. etc.
I can be moved by three power chords just as effectively as I can by 18 more "complex" chords. *shrug*
I can be moved by three power chords just as effectively as I can by 18 more "complex" chords. *shrug*
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Re: This Could Work...
The way I see it, the more notes there are, the more you have to work with and should have more possibilities to create something even more emotional.
That's just my opinion. I am a Rick Wakeman fan after all.
That's just my opinion. I am a Rick Wakeman fan after all.
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Re: This Could Work...
"What you don't play is every bit as important as what you do play."--Miles Davis
'nuff said.
'nuff said.
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Re: This Could Work...
That's one train of thought, sure.
I was never much of a Miles Davis fan.
(Don't worry, I got the point).
I was never much of a Miles Davis fan.
(Don't worry, I got the point).